and other rules at the Paris 2024 Opening Ceremony
Edited by Iusport 30/07/24
The opening ceremony of the Paris 2024 Olympic Games has aroused a revealing controversy both in Spain and globally, due to the strong queer ideological charge that characterized it. The fact that the central show consisted of a hypersexualized and misogynist bacchanal, representing the painting ‘The Last Supper’ by Leonardo Da Vinci, with manifest disregard for the dignity of women and minors, making religious manifestations prohibited by the Olympic Charter, and where one of the dancers exhibited his genitals in front of minors, set off alarm bells.
In this article I explain how the IOC covered up the violations of the Olympic Charter that violated the rights of women and minors, legitimizing the misogyny of the drag show and the double standards that prevailed in what we can consider a Olimpics Males.
Continue reading in Iusport (click on the end to read the article in English)


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